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Nellie Cornish and Calvin Cady never wrote the principles they developed for the Cornish School down as a list, and maybe their suspicions about systemization discouraged it. But it's easier to absorb as a list. Following is a construction of what they might have produced had they been so inclined.

 

It is of necessity a work in progress.

Principles of the Cornish School Under Nellie Cornish

 

  1. An education in the arts is an education.   EXPAND
  2. The main purpose of education is the development of the individual, not imparting skills.   EXPAND
  3. The arts are best taught together.   EXPAND
  4. Departments and curricula should be interrelated.   EXPAND
  5. Systemization of education should be avoided, experiment should be encouraged.   EXPAND
  6. There should be no grades, no schedules .   EXPAND
  7. The school should be a home for the arts.   EXPAND
  8. Quality in everything, always strive to be the best.   EXPAND

 

7. The school should be a home for the arts.

 Nellie Cornish didn't write reams on this concept, it is clear from everything she did that this concept was alive for her. She closed her autobiography with this: “As dear faces kept arising in memory, I loved living again among the young people who for twenty-five years shared my life and to whom the school became a spiritual home.” Her faculty were often friends for life. Nellie was close to her students, nurtured them, housed some of them, even. She threw parties and teas for any troupe of artists that happened through Seattle on a tour. Cornish was literally her home, and that home was open to artists and the arts.

And she tried to keep her ex-students around on the faculty:

I could often fill the ranks of our faculty with teachers well-known to me personal who considered the School their spiritual home.